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Exhibition view, Beatriz González, la imagen en tránsito, Pinacoteca de São Paulo, 2025. Photo: Levi Fanan.
- License:
- Media Use
- File format:
- .jpg
- Copyright:
- © Beatriz González
- Size:
- 6000 x 4001, 9.27 MB
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Isabella Ducrot, Visited Land 4 (Terra Visitata 4) , 2025. Astrup Fearnely Collection, Oslo. Photo: Giorgio Benni
- License:
- Media Use
- File format:
- .jpg
- Copyright:
- Courtesy the artist and Astrup Fearnely Collection
- Size:
- 7985 x 5055, 14.1 MB
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Steve McQueen, “Sunshine State,” Exhibition view at Pirelli HangarBicocca, Milan, 2022. © Steve McQueen. Courtesy the artist, Thomas Dane Gallery, Marian Goodman Gallery and Pirelli HangarBicocca, Milan. Photo: Agostino Osio
- License:
- Media Use
- File format:
- .jpg
- Copyright:
- © Steve McQueen. Courtesy the artist, Thomas Dane Gallery, Marian Goodman Gallery and Pirelli HangarBicocca, Milan.
- Size:
- 1920 x 1280, 1.09 MB
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Steve McQueen, Sunshine State, 2022. © Steve McQueen. Courtesy the artist, Thomas Dane Gallery, Marian Goodman Gallery and Pirelli HangarBicocca, Milan. Photo: Agostino Osio
- License:
- Media Use
- File format:
- .jpg
- Copyright:
- © Steve McQueen. Courtesy the artist, Thomas Dane Gallery, Marian Goodman Gallery and Pirelli HangarBicocca, Milan.
- Size:
- 1920 x 1280, 1.26 MB
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Steve McQueen, Sunshine State, 2022. © Steve McQueen. Courtesy the artist, Thomas Dane Gallery, Marian Goodman Gallery and Pirelli HangarBicocca, Milan. Photo: Agostino Osio
- License:
- Media Use
- File format:
- .jpg
- Copyright:
- © Steve McQueen. Courtesy the artist, Thomas Dane Gallery, Marian Goodman Gallery and Pirelli HangarBicocca, Milan.
- Size:
- 1920 x 1280, 1.22 MB
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Diane Simpson, Samurai #8, 1983/2016. Oil stain on wood. Courtesy of Corbett vs. Dempsey, Chicago.
- License:
- Media Use
- File format:
- .jpg
- Copyright:
- Courtesy of Corbett vs. Dempsey, Chicago.
- Size:
- 6358 x 8639, 26.8 MB
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Pushwagner, Produksjon, 1992. Astrup Fearnley Colection. Photo: Øystein Thorvaldsen.
- License:
- Media Use
- File format:
- .jpg
- Copyright:
- Astrup Fearnley Collection, Oslo
- Size:
- 8216 x 7647, 3.99 MB
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Cerith Wyn Evans, StarStarStar/Steer (Transphoton), 2019. Exhibition view, Grammars of Light. © Astrup Fearnley Museet, 2025. Photo: Christian Øen.
- License:
- Media Use
- File format:
- .jpg
- Copyright:
- Courtesy the artist and White Cube, London
- Size:
- 7952 x 5304, 16.6 MB
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Candice Lin and P. Staff, Hormonal Fog (Astrup Fearnley), 2026. Exhibition view, Grammars of Light. © Astrup Fearnley Museet, 2025. Photo: Christian Øen.
- License:
- Media Use
- File format:
- .jpg
- Copyright:
- Courtesy the artists; Commonwealth and Council, Los Angeles; Galerie Sultana, Paris
- Size:
- 7952 x 5304, 6.05 MB
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Cerith Wyn Evans, StarStarStar/Steer (Transphoton), 2019. Exhibition view, Grammars of Light. © Astrup Fearnley Museet, 2025. Photo: Christian Øen.
- License:
- Media Use
- File format:
- .jpg
- Copyright:
- Courtesy the artist and White Cube, London
- Size:
- 7952 x 5304, 15.6 MB
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Ann Lislegaard, Crystal World (after J.G. Ballard), 2006. Exhibition view, Grammars of Light. © Astrup Fearnley Museet, 2025.
- License:
- Media Use
- File format:
- .jpg
- Copyright:
- Astrup Fearnley Collection, Oslo
- Size:
- 7952 x 5304, 11 MB
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Ann Lislegaard, Slamming the Front Door (after A Doll’s House by Henrik Ibsen), 2005. Exhibition view, Grammars of Light. © Astrup Fearnley Museet, 2025. Photo: Christian Øen.
- License:
- Media Use
- File format:
- .jpg
- Copyright:
- Courtesy Museet for Samtidskunst, Roskilde
- Size:
- 7952 x 5304, 13.1 MB
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