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The future evolution of design must be driven by multiple perspectives shaped by various positions, places, practices and cultures, Nicholas Torretta suggests in his thesis. Foto: Cris Velasque
The future evolution of design must be driven by multiple perspectives shaped by various positions, places, practices and cultures, Nicholas Torretta suggests in his thesis. Foto: Cris Velasque

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Design evolution through the martial art of Capoeira

Could an ancient martial art created by African slaves in Brazil unlock new perspectives on design? For his doctoral thesis, defended at Umeå Institute of Design, Umeå University, Nicholas Torretta drew upon his native culture to shine a light on the oppressive and consumeristic power structures that still permeate industrial design thinking. Inspired by the intrinsic decolonial traits within Capoeira, he began to explore alternative ways of designing, and living.

As design attempts to tackle the effects of climate change and social injustice, it has found itself intertwined with the oppressive global structures responsible for these very developments. In his research, Nicholas Torretta has tried to disentangle design from the dominating financial and political systems in order to find openings for different ways of doing design. In Capoeira, he identified a gateway for designers hoping to create real change.

The art of decolonization

“Capoeira has a very strong ethos of accepting, not directly confronting, the attacks of the colonizers, in order to then expose openings and counter movements to escape and create something new. Similarly, I have in my research tried to, for example, explore and move with Eurocentric design traditions to see when they fail or slow down, in order to use that as an opening for new design solutions”, says Nicholas Torretta.

The roots of industrial design are closely tied to the very beginnings of industrialisation, a movement often associated with mass production and overconsumption. While responsible for lifting multitudes out of poverty, industrialisation has also fuelled the powerful economic forces that ultimately have contributed to the over-exploitation of the world’s natural resources and a rampant climate crisis. At the start of the millennium, design movements arose attempting to tackle the environmental crisis by developing new design processes. However, they have yet proven unfruitful in pushing through broader systemic changes. So, could martial arts lead the way?

The road to parallel universes in design

Equipped with a research methodology inspired by Capoeira, Nicholas is seeking to decolonize design through pluriversality. That is to allow various ways of doing design to exist simultaneously, and that those design avenues are more connected to the place and the people from where they emerge. Nicholas has explored non-linear design thinking where direct growth and progression are not the ultimate goals but rather to garner a holistic understanding of the space within where the design is created, including aspects such as individuality, local culture and nature.

“My hope is that we, as designers, become better at realizing that all design theories and practices come from somewhere. Today in design, we are always positioning ourselves within the colonial matrix of power, therefore it is of critical importance that we are aware of how our acts of designing may be oppressive, even if we don't intend them to be”, says Nicholas Torretta.

Rather than replacing existing design systems and theories, Nicholas has set out to reflect on them by creating greater awareness of their origins. To move forward, his research suggests that the future evolution of design must be driven by multiple perspectives shaped by various positions, places, practices and cultures.

About the dissertation
On Wednesday 21 September Nicholas Torretta, Umeå Institute of Design, Umeå University defends his doctoral thesis titled Moving decolonially in design for sustainabilities: Spaces, rhythms, rituals, celebrations, conflicts. Swedish title: Rörandes dekolonialt inom design for hållbarhet: utrymmen, rytmer, ritualer, firanden, konflikter. The dissertation takes place online, participate with this link: Delta under disputationen Faculty opponent is Andrea Botero Cabrera, Aalto University/Universidad de los Andes.

Read the full dissertation

For more information, please contact:

Jens Persson, Communications Officer, Umeå Institute of Design, Umeå University
Phone: +46 (0) 73-626 35 51
Email: jens.persson@umu.se

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Umeå University
Umeå University is one of Sweden’s largest institutions of higher education with over 36,000 students and 4,000 faculty and staff. The university is home to a wide range of high-quality education programmes and world-class research in a number of fields. Umeå University was also where the revolutionary gene-editing tool CRISPR-Cas9 was discovered that has been awarded the Nobel Prize in Chemistry.

At Umeå University, distances are short. The university's unified campus encourages academic meetings, an exchange of ideas and interdisciplinary co-operation, and promotes a dynamic and open culture in which students and staff rejoice in the success of others.

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Anna-Lena Lindskog

Anna-Lena Lindskog

Communication officer Faculty of Science & Technology +46706422956

Umeå University

Umeå University is one of Sweden's largest universities with over 37,000 students and 4,300 employees. The university is home to a wide range of education programmes and world-class research in a number of fields. Umeå University was also where the gene-editing tool CRISPR-Cas9 was discovered – a revolution in gene-technology that was awarded the 2020 Nobel Prize in Chemistry.

Founded in 1965, Umeå University is characterised by tradition and stability as well as innovation and change. Education and research on a high international level contributes to new knowledge of global importance, inspired, among other things, by the 2030 Agenda for Sustainable Development. The university houses creative and innovative people that take on societal challenges. Through long-term collaboration with organisations, trade and industry, and other universities, Umeå University continues to develop northern Sweden as a knowledge region.

The international atmosphere at the university and its unified campus encourages academic meetings, an exchange of ideas and interdisciplinary co-operation. The cohesive environment enables a strong sense of community and a dynamic and open culture in which students and staff rejoice in the success of others.

Campus Umeå and Umeå Arts Campus are only a stone's throw away from Umeå town centre and are situated next to one of Sweden's largest and most well-renowned university hospitals. The university also has campuses in the neighbouring towns Skellefteå and Örnsköldsvik.

At Umeå University, you will also find the highly-ranked Umeå Institute of Design, the environmentally certified Umeå School of Business, Economics and Statistics and the only architectural school with an artistic orientation – Umeå School of Architecture. The university also hosts a contemporary art museum Bildmuseet and Umeå's science centre – Curiosum. Umeå University is one of Sweden's five national sports universities and hosts an internationally recognised Arctic Research Centre.