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William Kentridge, The Refusal of Time, Installation view 2018. Photo: Niels Fabaek
William Kentridge, The Refusal of Time, Installation view 2018. Photo: Niels Fabaek

Press release -

Opening at Bildmuseet: William Kentridge / The Refusal of Time

Can we ever truly understand the passing of time in a world in a state of constant flux? As the first art institution in Sweden, Bildmuseet presents William Kentridge's The Refusal of Time. The large scale installation opens on Friday 12 October. Welcome to the press preview on Thursday, 11 October, at 10 am (RSVP).

The Refusal of Time is an evocative meditation on the nature of time. With allusions to Einstein's theory of relativity, to space travel, Plato's Cave and silent movies, William Kentridge has created a touching and imaginative narrative on how we comprehend time. Can we ever truly understand the passing of time in a world in a state of constant flux?

In the installation's five large projections, drawings, animations, photographs, films, poetry and performance are combined. A complex soundtrack from megaphones atop high stands floods the room while, in the middle of the space, a large mechanical construction inhales and exhales in regular, hypnotic breaths.

The Refusal of Time grew out of conversations with Harvard physicist and science historian Peter Galison and encompasses Kentridge’s wide range of artistic practices and visual motifs. Music and soundscape: Philip Miller. Video editing: Catherine Meyburgh.

William Kentridge (b. 1955, South Africa) is based in Johannesburg and is considered to be one of the world's most significant living artists. A scenographer and director of theatre and opera, he is predominantly known for his drawings and animated films. William Kentridge’s mythical and multidimensional works deal with existential, political, and aesthetical questions, often originating in the history of South Africa. Kentridge has exhibited at major international art museums and biennials the world over.

This is the first time that The Refusal of Time has been presented in Sweden. At Bildmuseet, the installation represents a first part of the upcoming exhibition Entangle / Physics and the Artistic Imagination, which opens on November 16.

Press preview on Thursday, 11 October, at 10 am
The exhibition will be presented by Ariane Koek, founder of the Arts at CERN programme at the European Organization for Nuclear Research and guest curator of Bildmuseet’s upcoming exhibition Entangle / Physics and the Artistic Imagination. RSVP 8 October to press officer Helena Vejbrink.

Press images

Opening on Friday, 12 October, at 5–9 pm
In conjunction to the opening of William Kentridge / The Refusal of Time, there will be a conversation via Skype between Ariane Koek and physicist and Peter Galison, Harvard University, who collaborated with William Kentridge in developing the ideas behind the exhibition. The Refusal of Time runs until 17 March, 2019.

Further information, please contact
Brita Täljedal, museum curator at Bildmuseet
brita.taljedal@bildmuseet.umu.se, +46 90-786 77 14

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Bildmuseet exhibits contemporary international art, photography, architecture, design and other forms of visual culture. Existential, political and philosophical issues are key to the programme. Bildmuseet received a Special Commendation from the European Museum of the Year jury, and has been one of the top candidates för the Swedish Museum of the Year Award as well as for the Council of Europe Museum Prize.

Housed in an acclaimed building at the Umeå Arts Campus, right next to the Umeå Academy of Fine Arts, Umeå Institute of Design and Umeå School of Architecture, Bildmuseet is a part of Umeå University – a multifaced university where studies and research within the creative realm make up an important part of the universty's cornerstone. It is one of Sweden's largest institutions of higher learning with over 32,000 students and 4,200 employees.

Contacts

Helena Vejbrink

Helena Vejbrink

Communication officer Bildmuseet +46 90 786 9073

Umeå University

Umeå University is one of Sweden's largest universities with over 37,000 students and 4,300 employees. The university is home to a wide range of education programmes and world-class research in a number of fields. Umeå University was also where the gene-editing tool CRISPR-Cas9 was discovered – a revolution in gene-technology that was awarded the 2020 Nobel Prize in Chemistry.

Founded in 1965, Umeå University is characterised by tradition and stability as well as innovation and change. Education and research on a high international level contributes to new knowledge of global importance, inspired, among other things, by the 2030 Agenda for Sustainable Development. The university houses creative and innovative people that take on societal challenges. Through long-term collaboration with organisations, trade and industry, and other universities, Umeå University continues to develop northern Sweden as a knowledge region.

The international atmosphere at the university and its unified campus encourages academic meetings, an exchange of ideas and interdisciplinary co-operation. The cohesive environment enables a strong sense of community and a dynamic and open culture in which students and staff rejoice in the success of others.

Campus Umeå and Umeå Arts Campus are only a stone's throw away from Umeå town centre and are situated next to one of Sweden's largest and most well-renowned university hospitals. The university also has campuses in the neighbouring towns Skellefteå and Örnsköldsvik.

At Umeå University, you will also find the highly-ranked Umeå Institute of Design, the environmentally certified Umeå School of Business, Economics and Statistics and the only architectural school with an artistic orientation – Umeå School of Architecture. The university also hosts a contemporary art museum Bildmuseet and Umeå's science centre – Curiosum. Umeå University is one of Sweden's five national sports universities and hosts an internationally recognised Arctic Research Centre.