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Aseel AlYaqoub, detail from The New Kuwait, Cultural Fair, 2018
Aseel AlYaqoub, detail from The New Kuwait, Cultural Fair, 2018

Press release -

Press invitation: Aseel AlYaqoub / The View from Above

Always imagined or invented, nations are anything but a given. Military ceremonies, postage imagery, maps, and heritage sites that shape national identity and imbue it with meaning are the subject of Aseel AlYaqoub’s solo exhibition The View from Above, opening at Bildmuseet on 18 October.

The exhibition will be available for media previews by appointment from Monday, 14 October. Welcome to submit your request.

The view from above is a key method in Aseel AlYaqoub’s work, which she uses to offer insights into the mechanisms of statecraft. The exhibition marks the first survey of the artist’s decade of archival research and interdisciplinary practice into symbols and narratives connected to Kuwaiti nationhood and Arab identity from postcolonial time into the present. State-building in Kuwait emerged at the intersection of urban modernisation fed by oil revenues and independence from the British protectorate.

AlYaqoub is part of a young generation of artists who take a critical stance on colonial histories and existing narratives around modernisation and statecraft in the Gulf. The exhibition introduces Kuwait as a case study for understanding the ways in which a young state shapes its citizens and traditionalises culture while adopting and adapting ideologies and structures inherited from colonial powers. As a state deeply invested in its visual representation, Kuwait provides a fertile ground for grasping the power of images in efforts of nation-building and self-representation.   

Through her series of drawings and blown-glass objects informed by the repetitive and theatrical nature of military routines, the artist uncovers lines of continuity between British colonial rule and the present-day Kuwaiti state. By appropriating and deconstructing postal imagery, she highlights the symbolic force of visual representations to inculcate national narratives of the past and future. An architectural intervention in the exhibition space informed by a heritage site raises questions about the production of official history and assertion of local culture. What is the past that a state deems worth preserving? And how does this selected past serve the present?   

Aseel AlYaqoub (b. 1986, Kuwait) is an artist and writer based in Kuwait City. Educated at Chelsea College of Art and Design in London and Pratt Institute, New York, her inquiries into nation-building span the fields of architecture, history and cultural studies. In 2018, she co-won the first Art Jameel Commission, and in 2021, co-curated the Kuwait Pavilion at the 17th International Architecture Exhibition, La Biennale di Venezia, with the project Space Wars, revisiting the Gulf War’s conflict and military occupation thirty years later. In 2022, AlYaqoub founded Safat Studios, an artist-run initiative nourishing experimental programmes in Kuwait City. Most recently, she participated in the 2024 Diriyah Contemporary Art Biennale and Desert X AlUla.

The View from Above is Aseel AlYaqoub’s first solo exhibition in Europe. The exhibition is produced by Bildmuseet and curated by Anca Rujoiu, Museum Curator.

PRESS PREVIEWS FROM 14 OCTOBER
The exhibition will be available for media previews by appointment from Monday, 14 October. Please submit your request to press.bildmuseet@umu.se. Press images.

OPENING ON ART FRIDAY, 18 OCTOBER
Welcome speech at 19:00 by Director Katarina Pierre. Artist’s tour at 20:30 by Aseel AlYaqoub in conversation with Curator Anca Rujoiu. The evening will also see the opening of the exhibition Alexandra Daisy Ginsberg / Machine Auguries. Guided tours, drop-in workshop, live concert by Christian Kjellvander, DJs, bar and restaurant.

TALKS AND EVENTS
Throughout the exhibition, we will offer guided tours, talks, workshops and other events inspired by its theme. The public program will raise questions about national identity, its relationship to the military, and traditions of aerial perspective in the context of Sweden.

Contact information

Requests for preview and interviews:
Helena Vejbrink, Media Contact
helena.vejbrink@bildmuseet.umu.se
, +46 90 786 9073

Further information about the exhibition:
Anca Rujoiu, Curator
anca.rujoiu@umu.se
, +46 90 786 9676

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Bildmuseet is one of Sweden’s foremost venues for international contemporary art and visual culture. The exhibitions are produced in collaboration with artists, museums and universities worldwide, and often attract both national and international attention. As a visitor, you are invited to participate in guided tours and creative workshops, listen to artist talks, debates, lectures and live music, watch film screenings and attend other events.

Housed in an acclaimed building at the Umeå Arts Campus, right next to the Umeå Academy of Fine Arts, Umeå Institute of Design and Umeå School of Architecture, Bildmuseet is a part of Umeå University– one of Sweden's largest institutions of higher education with over 36000 students and 4,000 employees. It is a multifaced university where studies and research within the creative realm make up an important part of the university's cornerstone.

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