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Drottningholms Slottsteater presents Saburo Teshigawara

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Drottningholms Slottsteater presents Saburo Teshigawara

The Japanese master choreographer and multitalented artist Saburo Teshigawara will be staging Jean-Philippe Rameau’s opera ballet Pygmalion this summer, in a rare and unique visit to Sweden’s foremost Cultural Heritage site – Drottningholms Slottsteater. Swedish director Pia Forsgren will be creating The Siblings of Mantua, a newly written baroque opera with some of the leading artists of the contemporary arts. Tickets to both productions go on sale on 23 February.

“We’ve invited artists with very distinguished careers within the contemporary performing arts to create something new in our unique theatre environment,” says Sofi Lerström, artistic director at Drottningholms Slottsteater.

The first premiere of the season is Pygmalion by Jean-Philippe Rameau on 28 July. The opera ballet is directed by Saburo Teshigawara, known for creating visually compelling and incomparably beautiful productions, for his own company KARAS, real works of art on their own. His most recent opera productions include Mozart's The Magic Flute (2016), Dai Fujikura's SOLARIS, based on Stanislas Lem's novel (2015) and Handel’s Acis and Galatea (2011).

Pygmalion was originally premiered in 1748 and tells the story of the sculptor Pygmalion, who, falls in love with his own statue, brought to life by Amor, the god of love. This classic tale has appeared in many guises, from Roman poet Ovid’s Metamorphoses to the 1956 musical My Fair Lady. Multitalented artist Saburo Teshigawara takes on the direction, choreography, stage and lighting design and the Drottningholm Theatre Orchestra, is led by the Italian conductor Vittorio Ghielmi. The cast includes tenor Anders J Dahlin and soprano Kerstin Avemo.

The Siblings of Mantua, opening on September 8th, is a brand, new opera with old music, based on the true story of composer Salamone Rossi and his sister Europa, who lived in Mantua around the turn of the 17th century. Salamone Rossi was composer at the Mantuan court and he also wrote heavenly religious music, and his sister was an acclaimed singer at the Mantuan court, among the first Italian real opera stars. Although highly regarded artists, their Jewish heritage left them vulnerable to persecution in their balancing between the two worlds. This new piece with a libretto by Magnus Florin includes rarely performed works by Salamone Rossi and newly composed music by Djuro Zivkovic. The Siblings of Mantua is a contemporary opera with its roots in 17th century Europe, a politically charged time not unlike our own. This new piece is specifically commissioned for the theatre, with a concept conceived by Pia Forsgren, director, and Maria Lindal, the theatre’s music director. Internationally renowned artist Mamma Andersson uses the theatre’s traditional sets as inspiration for her stage design, while fashion designer Behnaz Aram is creating the costumes. The music is performed by the Drottningholm Theatre Orchestra, playing on traditional instruments, as always.

“This is a story that needs to be told,” says Ms Forsgren. “It deals with persistently topical issues of alienation and norms, as well as questions to do with art and the human need to use it as a mirror to life. My aim is to tie together the past and the present and spark a debate that continues even after the curtain drops.”

The full programme, including tours and public events under the Esprit! concept, will be published in March. The performance season will begin with a special opening on 6 June and will end in September.

Drottningholms Slottsteater has remained intact since 1766 and is a UNESCO World Heritage site. With its hand-operated stage machinery still in use, there is no theatre like this anywhere in the world.

Pygmalion, 28 July- 11 August

Music: Jean-Philippe Rameau

Libretto:Sylvain Ballot de Sauvot

Conductor: Vittorio Ghielmi

Director/choreographer/set, costume and light design: Saburo Teshigawara

Artistic collaborator of Saburo Teshigawara: Rihoko Sato

Pygmalion: Anders J Dahlin
L’Amour: Kerstin Avemo
Céphise: NN
La statue animée: NN

Dancers: Rihoko Sato, Saburo Teshigawara and KARAS dancer

The Drottningholm Theatre Chorus, The Drottningholm Theatre Orchestra

Including prologue/epilogue.

With support from the Friends of Drottningholms Slottsteater.

The siblings of Mantua, 8-12 September

Original idea and concept: Pia Forsgren and Maria Lindal

Libretto: Magnus Florin

Director: Pia Forsgren

Music director Maria Lindal

Stage design: Mamma Andersson

Light design: Jenny André

Costumes: Behnaz Aram

Music: Salamone Rossi, Claudio Monteverdi, Francesca Caccini, Djuro Zivkovic and Andreas Edlund

Cast: Yaniv d’Or, Claire Meghnagi, Karim Sulayman, Markus Schwartz, Carl Unander-Scharin, dancers, The Drottningholm Theatre Chorus, The Drottningholm Theatre Orchestra

In co-operation with the Robert Weil Family Foundation
With support from the Friends of Drottningholms Slottsteater via the Henrik Nordmark Foundation.

For further details and to book interviews or visits, contact:Elin West, press officer, Drottningholms Slottsteater, 0733 50 26 25,elin.west@dtm.se

Press photographs and information can be downloaded from

www.mynewsdesk.com/se/drottningholms-slottsteater

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Eva Lundgren

Presskontakt Kommunikation och försäljning 08 556 931 07

Drottningholms Slottsteater är både en unik 1700-talsteater och en högst levande scen, väl förankrad i samtiden

Drottningholms Slottsteater uppfördes 1766 för drottning Lovisa Ulrika. Byggnaden gömmer en lekfull interiör. I salongen finns målade marmoreringar, konsoler i papier maché och pilastrar av gips. Scenen har ett genialt maskineri, helt i trä, som än idag drivs för hand. Gångspel, valsar, trummor, block, rep och motvikter får det stora maskineriet att arbeta. Det finns ett trettiotal scenbilder bevarade - en kulissvärld anpassad till 1700-talets repertoar.

Teaterns första glansperiod inleddes 1777 av Gustaf III. Med hjälp av skådespelare som Monvel, kompositörer som Naumann och Kraus, balettmästaren Gallodier och arkitekten Desprez skapade han en svensk teater- och operakonst på Drottningholm. Här spelades också Glucks senaste operor, fransk opéra comique och pantomimbaletter fram till Gustaf III:s död 1792. Därefter föll teaterbyggnaden i glömska.

1921 klev litteraturhistorikern Agne Beijer in genom dörren och fann den unika teatern orörd sedan 1700-talets slut. Efter byte av rep i maskineriet, installation av elektriskt ljus och varsam rengöring öppnades teatern igen. Under 1920- och 30-talen gavs divertissement och changements à vue, scenbyten inför öppen ridå, för att visa upp den återigen glansfulla teatern.

Drottningholms Slottsteater
Box 6
178 02 Drottningholm