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Ämnen: Universitet, högskola

  • Behzad Khosravi Noori defends his doctoral thesis "Three or Four Irrelevant Stories, Art and Hyper-Politics"

    14 June, 2–7 pm, organized by the Doctoral Programme in Art, Technology and Design. Live: Kollegiesalen, Brinellvägen 8, KTH, Stockholm. Zoom: kth-se.zoom.us/j/65212746253   Three or Four Irrelevant Stories, Art and Hyper-Politics is a practice-based doctoral thesis work presented in the form of a book that documents, comments upon and provides a context for the included artistic projects, comple

  • Research Lab Craft i ny utställning på Kina slott

    Med start den 28 juni, i utställningen Någon annan stans – Materiella tolkningar av Kina slott, visar nio konsthantverkare/konstnärer sina verk på lustslottet Kina slott. Utställningen är resultatet av ett årslångt samarbete mellan Kungl. Hovstaterna och kursen Research Lab Craft på Konstfack. Samtliga kursdeltagare är professionella utövare med materialbunden praktik som fördjupat sin konstnärlig

  • Konstfack students design The Future Watch Issue, C-print's first printed issue, "a travelling art gallery"

    C-print is an online art journal and a curatorial platform for contemporary art. Students from the Bachelor's programme in Graphic Design and Illustration at Konstfack have designed and illustrated C-print’s first issue in print – The Future Watch Issue. The magazine is printed in a limited edition of 350 copies, and will function as a "travelling art gallery" in Sweden and internationally. Welcom

  • Konstfackstudenter formger The Future Watch Issue, C-prints första fysiska nummer och "ett resande galleri"

    Studenter på kandidatprogrammet i Grafisk formgivning och Illustration på Konstfack formger och illustrerar The Future Watch Issue, plattformen för samtidskonst C-print Journals första fysiska magasin. Tryckt i en begränsad upplaga och 130 sidor tjockt ska det fungera som ett ”resande galleri” i Sverige och internationellt. Välkommen på release den 26 maj på Index.Projektet har enligt de deltagand

  • Konstfacks vårutställning i full blom!

    Boka dina besök till Konstfack och Konstnärshuset på www.konstfack2021.se 8–14 maj på Konstfack: Konsthantverk och Design, kandidat 15–23 maj på Konstnärshuset: Konst, master 22–28 maj på Konstfack: Konsthantverk och Design, master samt lärarstudenter 29 maj–6 juni på Konstnärshuset: Konst, kandidat

  • Konstfacks vårutställning i full blom!

    Vårens ankomst firar vi och 175 avgångsstudenter i år på två platser, Konstfack och Konstnärshuset, vid fyra olika tillfällen enligt tiderna nedan. Besök till utställningarna alla dagar 11.30-19.00 bokas på www.konstfack2021.se där också studenternas arbeten och annan information finns. Varmt välkommen!

  • Konstfack Degree Exhibition 2021 – In Full Bloom

    Welcome to Konstfack Degree Exhibition 2021! With the arrival of spring, we and 175 graduating students are celebrating this year at two locations – Konstfack and Konstnärshuset in Stockholm – with four unique events following the dates below. Visit the exhibitions every day from 11:30 a.m. – 7 p.m. and book your time on www.konstfack2021.se.

  • Konstfacks vårutställning i full blom

    ​8–14 maj på Konstfack: Konsthantverk och Design kandidatstudenter ​15–23 maj på Konstnärshuset: Konst, masterstudenter ​22–28 maj på Konstfack: Konsthantverk och Design, master- samt lärarstudenter ​29 maj–6 juni på Konstnärshuset: Konst, kandidatstudenter Pressvisningar dagen innan, välkommen!

  • Save the dates för Konstfacks vårutställning x 4

    Äntligen vår! Konstfack firar med en vårutställning på två platser i fyra olika perioder. Planera in den 8, 15, 22 och 29 maj och/eller boka din pressförhandsvisning redan idag!

  • Two Konstfack master students among the ten artists selected to the new research-based Octopus Programme

    Congratulations Alina Rentsch (Fine Art) and Sofia Priftis (Spatial Design)! Through a unique partnership with 11 international institutions from seven countries, the Octopus Programme has selected 10 outstanding artists to take part in the programme during the academic year 2021/2022. From a rigorous, multi-institutional application process with five interconnected evaluation committees, the winn

  • Ghosts and narrative speculations in Hannah Wiker Wikström's MFA exhibition

    Soil-on-to-logic is a proposal for long term engagement, a time for speculation, a refusal of binary formations and most probably a space for (un)learning in public. It’s a sneaking suspicion following me, of what it means to be a creator? The creator of something. What is produced in these hands and what is reproduced in common sphere?

  • Disconnection and transformations in Amanda Björk's MFA solo exhibition

    I believe I am disconnected from the land. I have turned my gaze to my origin and access. I collect and work with material from my home area: a rural environment with agriculture and forest industry. I paint with pigments that I have made from dye plants I cultivate and harvest each year, make paper sheets of old newspapers, and build frames with wood felled by an arborist.

  • Welcome to a zoomed artist talk with Jimmy Robert

    Jimmy Robert, born 1975 in Guadeloupe (France), lives and works in Berlin. He works with diverse media including photography, collages, objects, art books, short films and performance art. In his explorations into the relationship between images and objects, Robert draws attention to the dynamics of different surfaces.

  • Join us and Ed Atkins!

    Zoom on 17 February, at 6.00-7.30 pm
    For other artist talks in the same series, please click.

  • Transitory Encounters in Erik Viklund's MFA Exhibition

    Erik Viklund's work is inspired by places and encounters with people and their destinies in these locations. Utilizing photography, he is interested in approaching the transient, but also how the transient is expressed in our lives in a purely physical way from one place to another; on a found piece of paper, a broken window or the torn down wallpaper in a house that has been deserted.

  • At last – welcome to the exhibition of the 3rd year Industrial Design students at Konstfack

    In a turbulent world, where does the next generation of designers look for purpose? Do they dare to try alternative ways of problem solving and creation in order to reach sustainable paths forward? Actions, failures and explorations have all been embraced in this course, where students at Konstfack’s Industrial Design programme have been free to explore an inquiry of their choice.

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