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Ludwig Mies van der Rohe, 1886 - 1969.⁠ ⁠ Ludwig Mies van der Rohe’s visionary pursuit of purity in form and material established him as a central figure of the modernist movement and one of the most influential architects of the 20th century. His architectural masterpieces, including the Barcelona Pavilion (1929), the Seagram Building (1958) and the Farnsworth House (1951) are enduring symbols of minimalist elegance. Each project exemplifies his radical approach to space, structure and the seamless integration of interior and exterior environments.⁠ ⁠ Chairs like the Barcelona Chair (1929), the MR Chair (1927), and the Brno Chair (1930) embody his belief in "less is more". These pieces were not only designed for comfort and visual harmony but also to reflect the structural logic of their surroundings. In spaces like the Barcelona Pavilion and the Tugendhat House, his chairs act as sculptural anchors—floating within open plans, reinforcing the geometry of the architecture, and enhancing the relationship between space and human presence.⁠ ⁠ Reed the full articel on Ludwig Mies van der Rohe in Auctionet Magazine, accessed through the link in our bio. ⁠ ⁠#vanderohe #barcelonachair #brno #miesvanderrohe #knoll

We adore the beautiful and charming home of @amvalland 💗⁠ ⁠ Tag us to show how you decorate with your vintage finds. ⁠ ⁠ ⁠ #auctionet

Auctionet Special, IKEA Through the Years.⁠ ⁠ Join us on a journey through time and design – from iconic classics of the 1950s to today’s rare collectibles. Auctionet presents a joint themed auction where, together with over 30 auction houses, we open the door to IKEA’s fascinating history, filled with beloved bestsellers and forgotten treasures. ⁠ ⁠ Follow the link in our bio to discover this special opportunity and explore all available lots.⁠ ⁠ ⁠ #ikea #auctionet

Timeless vintage finds and standout designer pieces.⁠ ⁠ View all current lots available at auction through the link in our bio.

Pablo Picasso, Lithographs.⁠ ⁠ Auctionet Academy unveils the depth of printed art.⁠ ⁠ Printmaking is a richly layered field within the art world, often overlooked by new collectors. Despite its reputation for complexity, gaining a basic understanding of key techniques and terminology can open the door to a rewarding collecting experience. Prints offer a unique opportunity to acquire works by significant artists at accessible prices.⁠ ⁠ Among the most important techniques is lithography, a planographic method based on the natural resistance between oil and water. Artists draw directly onto a grained stone or metal plate, allowing for a high level of expression and nuance. The process has been used by many renowned 20th-century artists, including Madeleine Pyk, Peter Dahl and Lennart Jirlow.⁠ ⁠ Understanding the craft behind these works reveals the depth and originality often hidden beneath the label of “print.”⁠ ⁠ Explore our guide to graphic prints through the link in our bio. ⁠ ⁠ #lithography #auctionet

Paavo Tynell, ceiling lamp modell 9018 Taito. ⁠ ⁠ After this weekend’s auctions, we revisit the timeless work of Paavo Tynell, whose celebrated design reached close to €143,000, affirming his lasting legacy.⁠ ⁠ In 1948, Paavo Tynell designed large animal-themed ceiling lamps for the Finland House restaurant in Manhattan, a bold showcase of Finnish modernism abroad. Manufactured the previous year at the Taito factory in Helsinki, four lamps were installed in the bar area, with Tynell himself travelling to New York to oversee the work.⁠ ⁠ The Finland House lamps represent a turning point in Tynell’s career. After the Second World War, freed from the strictures of pure functionalism and inspired by the renewed availability of brass, he combined rational design with the warm, decorative spirit of his earlier work. This new approach, first seen in Finland at the Kestikartano (1946), Helsinki City Hall (1947), and Vaakuna (1947) restaurants, brought a unique softness and playfulness to modern lighting. His wife, Helena Tynell, created the animal motifs that adorned the lamps and related metal tables for both the Finland House and Helsinki’s Vaakuna restaurant. The designs captured Finnish nature through stylised hares, foxes, moose, bears, fir trees and stars, a poetic modernist expression of national identity.⁠ ⁠ Though Finland House also sold Finnish furniture, textiles and jewellery, it was Tynell’s lamps that captured the imagination and drove business. The bar lamp, model 9018, was offered as a special-order piece, prised for its craftsmanship and commanding a higher price than even Tynell’s celebrated Snowflake chandeliers. It later appeared in Idman’s custom collection in the late 1950s, though its rarity has left few records.⁠ ⁠ #paavotynell #auctionet⁠

Marcel Breuer, Isokon Long Chair, 1936.⁠ ⁠ Described in a 1936 catalogue as offering “scientific relaxation to every part of the body,” the Isokon Long Chair embodies the Bauhaus vision of form meeting function. Designed by Marcel Breuer—an innovator in modern furniture—it was his first commission for the Isokon Furniture Company, founded in London by Jack Pritchard to bring modernist design to Britain.⁠ ⁠ Encouraged by Bauhaus founder Walter Gropius, Breuer joined Isokon in 1935, shifting from his earlier work with steel to exploring the sculptural potential of plywood. The Long Chair reimagines a 1932 aluminum recliner Breuer had created in Switzerland, now softened and redefined through wood.⁠ ⁠ Production ceased during World War II due to material shortages but was revived by Pritchard in 1963. Today, the chair is celebrated as a modernist icon, held in major collections including the Victoria and Albert Museum, the Museum of Modern Art in New York, and the Swedish Museum of Furniture Design.⁠ ⁠ Explore the auction through the link in our bio.

We’re delighted to see timeless designs reimagined in new settings. Here in the beautiful livingroom by @studioskogso 💗 ⁠ Tag us to share how your auction finds come to life in your interior.⁠ ⁠

In the spirit of Easter and the arrival of spring, we explore the ongoing auctions for vintage ceramics, colourful glass and floral tableware. ⁠ ⁠ From Hans Hedberg´s egg sculptures to painted glasses by Orrefors, explore your favourites at the website.

Eric Chambert, first exhibited in 1945.⁠ ⁠ Chambert was a versatile and changing professional. He was an artist, designer, furniture and interior designer. Although his 1930s furniture was characterized by the austere and sober ideals of the time, he never fully subscribed to functionalism's advocacy of standardisation and mass production. Chambert always praised craftsmanship, and all the furniture that left his family's furniture factory, where he served as artistic director, was handmade and characterised by high quality control and care.⁠ ⁠ As the 1930s progressed, functionalism's almost ascetically stripped-down ideals softened and were replaced by a more permissive modernism, with lighter lines, livelier interiors, brighter colors and a more appreciative approach to decor. During the 1940s Chambert began using the cabinets as artistic canvas, creating lush flower meadows with oil paint. Chambert had gained an interest in drawing and painting already during his studies, and over time he came to be a recognized visual artist.⁠ ⁠ The floral-painted cabinet reflects Chambert’s shift from strict functionalism to a more expressive, nature-inspired modernism. The cabinet showcases his rare ability to merge fine art with furniture.⁠ ⁠ Access the auction through the link in our bio. ⁠ ⁠ #ericchambert #auctionet

Claude Monet, 1840–1926 & Édouard Manet, 1832–1883.⁠ ⁠ Often linked, yet remarkably different. In Auctionet Magazine, specialist Cecilia Berggren explores how their use of colour, subject matter and brushwork defined two distinct artistic paths.⁠ ⁠ Access the full article via the link in our bio.⁠ ⁠ ⁠ Photographs licensed via Wikimedia Commons.

Uno Åhrén, Swedish Grace, 1925. ⁠ ⁠ The model was displayed in the so-called ladies' salon, along with a chaise longue and a coffee table, in the Swedish Pavilion at the World Exhibition in Paris in 1925.⁠ ⁠ Uno Åhrén (1897-1977). Architect and Urban Planner. Åhrén made his debut with a residential interior at the "Home Exhibition" at Liljevalchs in 1917. He was one of the first to collaborate with Estrid Ericson at the company Svenskt Tenn. Åhrén, who became one of the leading advocates of Functionalism, only worked as a furniture designer during the early part of his career.⁠ ⁠ Tap the link in our bio for direct access to the auction. ⁠ ⁠ ⁠#swedishgrace #auctionet