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Otto Hesselbom: Our Land. Motif from Dalsland, 1902. Photo: Nationalmuseum.
Otto Hesselbom: Our Land. Motif from Dalsland, 1902. Photo: Nationalmuseum.

Press release -

Ideal and Reality – Nordic Nature opens 1 June at Nationalmuseum Jamtli

This summer, Nationalmuseum Jamtli presents Ideal and Reality – Nordic Nature, an exhibition showing how nature has been depicted in art and applied art through the ages. The exhibition features some 130 works, paintings, drawings, photographs and applied art, all drawn from Nationalmuseum’s collections. The artists represented include Anna Boberg, Otto Hesselbom, Pehr Hilleström, Elias Martin, Bruno Liljefors and Helmer Osslund, alongside more recent names such as Frida Fjellman, Kerstin Hörnlund, Ingalena Klenell, Märta Mattsson and Per B Sundberg.

Ideal and Reality – Nordic Nature features artistic depictions of Nordic nature from the 17th century onward. The artworks represent changing views of nature over time, not only as a source of beauty, but also as an economic resource, an object of scientific study and a symbol of identity.

The earliest depictions of Nordic nature are all the work of foreign artists, so the exhibition begins by examining the dream of the Nordic landscape and the exotic appeal it must have held for many Dutch and German 17th-century artists. Irrespective of whether the works were painted on location or back in the artist’s studio on the Continent, the emphasis is on the wild and dramatic side of nature. In contrast to untamed nature, the idea of the pleasure garden represented cultivated, artificial nature, created on the drawing board with rulers and squares.

The 18th century brought the Enlightenment and an emphasis on reason, coupled with a creeping realisation that humanity could be a threat to nature. Pehr Hilleström portrayed the subterranean landscapes of places like the Falun copper mines, while the landscape paintings of Elias Martin and Carl-Johan Fahlcrantz were influenced by the English Romantic view of nature.

The latter part of the 19th century saw a reaction against Romanticism and the breakthrough of realism. The task of the artist was now to produce what was considered a true picture of nature. Realist painters were heavily influenced by contemporary French artists, and plein-air painting became their ideal. Bruno Liljefors was the late 19th century’s leading painter of Nordic wildlife. Like a scientist, he studied animal behaviour, movements and living conditions.

Around 1890, a new, more Romantic wave again swept the Nordic countries, and artists became more concerned with expressing emotions and moods in their art. Nature was often portrayed in the half-light of dusk or dawn, with generalised outlines and decorative compositions in which the overall effect was more important than the details. Meanwhile, many artists such as Karl Nordström and Helmer Osslund became preoccupied with the idea of art as an expression of national or regional identity.

The final part of the exhibition presents examples of how artists and designers of the late 20th and early 21st century have reflected on modern humanity’s relationship with nature. Questions concerning ecology, environmental damage, climate change and sustainability have occupied many artists in recent times. The exhibition includes works by artists and designers such as Frida Fjellman, Per B Sundberg and Petra Wadström.

Ideal and Reality – Nordic Nature is on show at Nationalmuseum Jamtli in Östersund from 1 June 2022 to 16 April 2023. The exhibition is curated by Per Hedström, Magnus Olausson and Micael Ernstell from Nationalmuseum.

Press viewing
Members of the press and media are invited to attend a viewing of the exhibition at 4pm on Wednesday 1 June. Representatives of both Jamtli and Nationalmuseum will be on hand. RSVP to christina.wistman@jamtli.com.

Opened in 2018, Nationalmuseum Jamtli is an art and design venue in Östersund providing access to Nationalmuseum’s unique collections and expertise. Nationalmuseum Jamtli has been made possible by the EU regional structural funds, Östersunds kommun, Region Jämtland Härjedalen and wide-ranging partnerships with the business community. We gratefully acknowledge the financial and other contributions made by our key partners: Postkodlotteriets Kulturstiftelse, Östersundshem, Länsförsäkringar Jämtland, Persson Invest, Jamtlis Gynnare, Jämtkraft, Jämtlands läns konstförening, Diös, Attacus Invest, Lundstams Återvinning, Oscarson Invest, Toréns Entreprenad AB, Sparbanksstiftelsen Jämtlands län, Föreningen Gamla Östersund and Kvinnliga Föreningen Gamla Östersund. We are also grateful for additional support from Assa Abloy and Bilbolaget.

Media enquiries
Christina Wistman, deputy director and head of press, Jamtli, christina.wistman@jamtli.com, +46 70 249 1993
Hanna Tottmar, head of press, Nationalmuseum, press@nationalmuseum.se, 08-5195 4400

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Nationalmuseum is Sweden’s museum of art and design. The collections comprise some 700 000 objects, including paintings, sculpture, drawings and graphic art from the 16th century up to the beginning of the 20th century and the collection of applied art and design up to the present day. Nationalmuseum’s responsibility is to preserve and make art accessible and provide knowledge. The museum was appointed the Swedish Museum of the Year 2022.

Contacts

Head of Press

Head of Press

Press contact Hanna Tottmar +46 (0)8 5195 4400

Welcome to Nationalmuseum Sweden!

Nationalmuseum is Sweden’s museum of art and design. The collections include paintings, sculpture, drawings and graphic art from the 16th century up to the beginning of the 20th century and the collection of applied art and design up to the present day. The total amount of objects is around 700,000. .

The emphasis of the collection of paintings is on Swedish 18th and 19th century painting. Dutch painting from the 17th century is also well represented, and the French 18th century collection is regarded as one of the best in the world. The works are made by artists such as Rembrandt, Rubens, Goya, Boucher, Watteau, Renoir and Degas as well as Swedish artists such as Anders Zorn, Carl Larsson, Ernst Josephson and Carl Fredrik Hill.

The collection of applied art and design consists of objects such as ceramics, textiles, glass and precious and non-precious metals as well as furniture and books etc. The collection of prints and drawings comprises works by Rembrandt, Watteau, Manet, Sergel, Carl Larsson, Carl Fredrik Hill and Ernst Josephson. Central are the 2,000 master drawings that Carl Gustaf Tessin acquired during his tour of duty as Sweden's ambassador to France in the 18th century.

Art and objects from Nationalmuseum’s collections can also be seen at several royal palaces such as Gripsholm, Drottningholm, Strömsholm, Rosersberg and Ulriksdal as well as in the Swedish Institute in Paris. The museum administers the Swedish National Portrait Gallery at Gripsholm Castle, the world’s oldest national portrait gallery and the Gustavsberg collection with approximately 45,000 objects manufactured at the Gustavsberg Porcelain Factory. Nationalmuseum also curates exhibitions at Nationalmuseum Jamtli and the Gustavsberg Porcelain Museum.

Nationalmuseum is a government authority with a mandate to preserve cultural heritage and promote art, interest in art and knowledge of art and that falls within the remit of the Swedish Ministry of Culture.