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Stig Lönngren and Lars Larsson, Barnstol/Highchair “HI 56,” 1963. Photo credit: Linn Ahlgren/Nationalmuseum.
Stig Lönngren and Lars Larsson, Barnstol/Highchair “HI 56,” 1963. Photo credit: Linn Ahlgren/Nationalmuseum.

Press release -

New acquisition: Highchair HI 56 by Stig Lönngren and Lars Larsson

Nationalmuseum has received a HI 56 Highchair as a gift to the collections. The orange children’s highchair was designed by the interior designer Stig Lönngren and was made of birch plywood by carpenter Lars Larsson. Both were members of the HI Group which designed 100 pieces of furniture during the six years it was in existence.

Stig Lönngren had dual training, both as a carpenter and as an interior designer. It was he who initiated the establishment of the HI Group. H stood for craftsman (hantverksmästare) and I stood for interior designers (inredningsarkitekter). In an era of mass production and consumption, its members sought to protect the values of superb craftsmanship. Via a close collaboration between artisans and interior designers, new types of furniture could be developed.

“The HI Group sought to be an alternative to the industrial production of furniture. It was not that the members were hostile to industrial production per se. On the contrary, actually their goal was that the artisan furniture would be produced in series. One evidence of this is shown in that their furniture was made of plywood, a material rarely used for artisan handcrafted furniture,” says Cilla Robach, Senior Curator specialising in applied art and design at Nationalmuseum.

The children’s HI 56 highchair is made of birch plywood. The design is simultaneously simple and complex. It consists of a single leg, shaped into a cone, which is wide at the bottom and narrow at the top. A horizontal seat has been folded into the cone, so that the edges protect the child from falling out. And softly rounded rectangular holes on the side act as footrests. The round table top is removable. Both the playful form and the clear colour express the pop age of the 1960s and in 1966 the reviewer Gunilla Lundahl of Forms magazine questioned why the chair had not been produced in the plastic material typical for the time. The highchair was first introduced at the HI Group’s exhibition at Hantverket in 1963, and was exhibited the following year at the Röhsska Museum in Gothenburg and in Karlstad, Falun and Gävle.

There was significant interest in children’s furniture during the 1960s, and at the HI Group exhibition in 1966 (which would be their last) Stig Lönngren and Lars Larsson presented a series of softly rounded furniture for children made from lacquered plywood. Lönngren and Larsson had developed the furniture in collaboration with Stina Sandels, who founded the Children’s Psychological Laboratory and was Associate Professor of Education at Stockholm University.

No major series production of the HI Group’s Applied Arts craft furniture even came to fruition. Their design and construction solutions were, in practice, too complicated and costly to provide efficient mass production at reasonable prices. This was also partly the reason why the Group disbanded down in 1966.

Nationalmuseum’s collections already include two pieces of the HI Group’s plywood furniture: the HI 76 chair by Hans Johansson and Anders Berglund, and the HI 91 wall cabinet by Stig Lönngren and Lars Larsson. Nationalmuseum receives no state funds with which to acquire design, applied art and artwork; instead the collections are enriched through donations and gifts from private foundations and trusts. This acquisition is a generous gift by Stig Lönngren.

Inventory number
Stig Lönngren and Lars Larsson, Barnstol/Highchair “HI 56,” 1963. NMK 100/2020

Further Information
Cilla Robach, Senior Curator applied art and design,cilla.robach@nationalmuseum.se, +46 (0)8-5195 4305
Hanna Tottmar, Head of Press, press@nationalmuseum.se, +46 (0)8-5195 4400

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Nationalmuseum is Sweden’s museum of art and design. The collections include paintings, sculpture, drawings and graphic art from the 16th century up to the beginning of the 20th century and the collection of applied art and design up to the present day. The museum building closed for renovation in 2013 and reopened in autumn 2018. During 2019 the museum had almost 850 000 visits.

Contacts

Head of Press

Head of Press

Press contact Hanna Tottmar +46 (0)8 5195 4400

Welcome to Nationalmuseum Sweden!

Nationalmuseum is Sweden’s museum of art and design. The collections include paintings, sculpture, drawings and graphic art from the 16th century up to the beginning of the 20th century and the collection of applied art and design up to the present day. The total amount of objects is around 700,000. .

The emphasis of the collection of paintings is on Swedish 18th and 19th century painting. Dutch painting from the 17th century is also well represented, and the French 18th century collection is regarded as one of the best in the world. The works are made by artists such as Rembrandt, Rubens, Goya, Boucher, Watteau, Renoir and Degas as well as Swedish artists such as Anders Zorn, Carl Larsson, Ernst Josephson and Carl Fredrik Hill.

The collection of applied art and design consists of objects such as ceramics, textiles, glass and precious and non-precious metals as well as furniture and books etc. The collection of prints and drawings comprises works by Rembrandt, Watteau, Manet, Sergel, Carl Larsson, Carl Fredrik Hill and Ernst Josephson. Central are the 2,000 master drawings that Carl Gustaf Tessin acquired during his tour of duty as Sweden's ambassador to France in the 18th century.

Art and objects from Nationalmuseum’s collections can also be seen at several royal palaces such as Gripsholm, Drottningholm, Strömsholm, Rosersberg and Ulriksdal as well as in the Swedish Institute in Paris. The museum administers the Swedish National Portrait Gallery at Gripsholm Castle, the world’s oldest national portrait gallery and the Gustavsberg collection with approximately 45,000 objects manufactured at the Gustavsberg Porcelain Factory. Nationalmuseum also curates exhibitions at Nationalmuseum Jamtli and the Gustavsberg Porcelain Museum.

Nationalmuseum is a government authority with a mandate to preserve cultural heritage and promote art, interest in art and knowledge of art and that falls within the remit of the Swedish Ministry of Culture.