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Ammy Olofsson, Growing Computers, Connecting Bodies, Cutting the Cord, 2016. Annika Liljedahl, Circulatory Space–Bloodstream–Growth, 2010.
Ammy Olofsson, Growing Computers, Connecting Bodies, Cutting the Cord, 2016. Annika Liljedahl, Circulatory Space–Bloodstream–Growth, 2010.

Press release -

​The exhibition Embodied opens at Nationalmuseum Design on 2 September

On Friday 2 September, Embodied opens at Nationalmuseum Design, an exhibition of works that challenge the conventional notion of craft. The exhibiting artists share an interest in the corporeal, often related to social issues such as identity, body image, objectification, and power structures.

This autumn’s exhibition at Nationalmuseum Design straddles the border between art and craft, challenging conventional ideas of what constitutes fine craft. The 12 participating artists have a common interest in the human body and the corporeal. The exhibition includes works that embrace the latest interactive, innovative lighting technology that has to be activated by physical touch. Other works are inspired by biohacking and highlight the idea of transhumanism, of the person and the body as an ongoing process in which the person can evolve and change through technology.

The exhibition interacts with visitors in a playful way. The mighty organ speaks to us through pipes shaped like the human throat and plays according to where we place our feet. Other works highlight contemporary issues that touch a nerve: How women perceive being objectified, and feminist resistance strategies. How mental pain is shaped into physical objects that express frustration and trapped emotions. How cancer treatment gives rise to touching works. These are works at the interface of outer and inner, of skin and organs.

Chronologically, the artists range from Annika Liljedahl, who attended Konstfack in the 1960s, to Ammy Olofsson, who graduated from the same school this May, and Maja Michaelsdotter Eriksson, currently a master’s student at HDK in Gothenburg.

Participating artists
Ammy Olofsson
Annika Liljedahl
Christian-Pontus Andersson
Daniela Hedman
Emma Linde
Jens Peterson-Berger and Olov Ylinenpää
Maja Michaelsdotter Eriksson
Malin Bobeck
Matilda Kästel
Märit Runsten
Per B. Sundberg

Embodied. Ongoing craft at the fringe will be on show at Nationalmuseum Design, located inside Kulturhuset Stadsteatern in Stockholm, from 2 September 2016 to 15 January 2017.

Press contact
Hanna Tottmar, Press Officer, press@nationalmuseum.se, +46 767 234632

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Nationalmuseum is Sweden’s premier museum of art and design. The collections comprise older paintings, sculpture, drawings and graphic art, and applied art and design up to the present day. The museum building is currently under renovation and scheduled to open again in 2018. In the meantime, the museum will continue its activities through collaborations both in Sweden and abroad as well as temporary exhibitions at the Royal Swedish Academy of Fine Arts, Fredsgatan 12 and Nationalmuseum Design at Kulturhuset Stadsteatern in Stockholm. Nationalmuseum has partnerships with Svenska Dagbladet and the Grand Hôtel Stockholm, and acknowledges the support of FCB Fältman & Malmén.

Contacts

Head of Press

Head of Press

Press contact Hanna Tottmar +46 (0)8 5195 4400

Welcome to Nationalmuseum Sweden!

Nationalmuseum is Sweden’s museum of art and design. The collections include paintings, sculpture, drawings and graphic art from the 16th century up to the beginning of the 20th century and the collection of applied art and design up to the present day. The total amount of objects is around 700,000. .

The emphasis of the collection of paintings is on Swedish 18th and 19th century painting. Dutch painting from the 17th century is also well represented, and the French 18th century collection is regarded as one of the best in the world. The works are made by artists such as Rembrandt, Rubens, Goya, Boucher, Watteau, Renoir and Degas as well as Swedish artists such as Anders Zorn, Carl Larsson, Ernst Josephson and Carl Fredrik Hill.

The collection of applied art and design consists of objects such as ceramics, textiles, glass and precious and non-precious metals as well as furniture and books etc. The collection of prints and drawings comprises works by Rembrandt, Watteau, Manet, Sergel, Carl Larsson, Carl Fredrik Hill and Ernst Josephson. Central are the 2,000 master drawings that Carl Gustaf Tessin acquired during his tour of duty as Sweden's ambassador to France in the 18th century.

Art and objects from Nationalmuseum’s collections can also be seen at several royal palaces such as Gripsholm, Drottningholm, Strömsholm, Rosersberg and Ulriksdal as well as in the Swedish Institute in Paris. The museum administers the Swedish National Portrait Gallery at Gripsholm Castle, the world’s oldest national portrait gallery and the Gustavsberg collection with approximately 45,000 objects manufactured at the Gustavsberg Porcelain Factory. Nationalmuseum also curates exhibitions at Nationalmuseum Jamtli and the Gustavsberg Porcelain Museum.

Nationalmuseum is a government authority with a mandate to preserve cultural heritage and promote art, interest in art and knowledge of art and that falls within the remit of the Swedish Ministry of Culture.